field recordings, beach trash, weather radio, delay, etc.
Beginning early on the morning of Sunday, September 20, 2009, the Glass Bees explored areas along the coastline of southeastern Brooklyn, including Dead Horse Bay, Floyd Bennett Field, Gerritsen Beach, and Sheepshead Bay, documenting them with sound recorders, photographs, watercolor sketches, and video, and collecting distinctive objects. Our focus was on terrain that has been identified as likely to experience severe flooding in the coming decades due to the effects of climate change.
As part of the 2009 Conflux Festival, we presented an improvised performance later that afternoon on the front vestibule and stoop of Envoy Enterprises, a gallery in Chinatown, New York City. Our field recordings, visual footage, and physical detritus became the raw material for a sound collage and temporary installation. Amplified sound was broadcast into the street, and visitors were invited into the vestibule to listen more closely on headphones. All materials and sounds we presented were gathered, created, displayed, and performed within a 10-hour period.
Chris has written a longer reflection on this piece, “Some Thoughts on Venice, Brooklyn“ on his blog.
The great Peter Shapiro documented the performance and did a brief interview with Jason:
Now in its sixth year, Conflux is a New York City-wide gathering of visual and sound artists, writers, urban adventurers, and the public, created to “investigate everyday urban life through emerging artistic, technological, and social practice.”
Special thanks to Nathan McKee and everyone at Envoy Enterprises for their support.